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Digital render art of a tiny man trapped beneath a woman who's driving a car. He's nude and underneath her vulva, with her blue leggings stretching out in all directions. The image is an extreme angle view to show the strange perspective of the woman's legs, breasts, and body, and the car itself, while trapped and tiny. Text reads "He couldn't make himself stop fighting. The collar, the heat, the inability to budge her thighs and ass and pussy." Created by Giantess Tina.

Fan Art Feature: Giantess Tina returns!

Published by mightytinygiant on May 15, 2022

I’m thrilled to share more fan art from one of my stories!

Giantess Tina returns for another round of artwork for my story “Dear Professor: Part 1” and created these wonderful series of renders featuring text right from my story!

I just LOVE entrapment scenes. I get all tingly just looking at these! To think of an entire tiny person, fighting so hard beneath my body…

Image 1 of 4. Digital render art of a tiny man trapped beneath a woman who's driving a car. He's nude and underneath her vulva, with her blue leggings stretching out in all directions. The image is an extreme angle view to show the strange perspective of the woman's legs, breasts, and body, and the car itself, while trapped and tiny. Text reads "He couldn't make himself stop fighting. The collar, the heat, the inability to budge her thighs and ass and pussy." Created by Giantess Tina.
1. A scene from Dear Professor, Part 1, created by GiantessTina (https://twitter.com/GiantessTina) and shared with her permission. Do not repost without permission.
Image 2 of 4. Digital render art of a tiny man trapped beneath a woman who's driving a car. It's a different angle than before, and you can see him shaking his fist at her. He's nude and underneath her vulva, with her blue leggings stretching out in all directions. You can see "Yes, Mistress" written across her breasts on her shirt. Text reads "It got worse, as promised. Heavier, hotter, closer." The image is an extreme angle view to show the strange perspective of the woman's legs, breasts, and body, and the car itself, while trapped and tiny. Created by Giantess Tina.
2. A scene from Dear Professor, Part 1, created by GiantessTina (https://twitter.com/GiantessTina) and shared with her permission. Do not repost without permission.
Image 3 of 4. Digital render art of a woman who's driving a car, with a tiny man trapped beneath her. It's a third angle, focused on her with her pink hair, blue sports bra, and the words "Yes, Mistress" written across her breasts on her shirt. Text reads "He knew he was getting smaller, but he couldn't tell how much smaller." The image is an extreme angle view from the perspective of the steering wheel. Created by Giantess Tina.
3. A scene from Dear Professor, Part 1, created by GiantessTina (https://twitter.com/GiantessTina) and shared with her permission. Do not repost without permission.
Image 4 of 4. Digital render art of a tiny man trapped beneath a woman who's driving a car. It's a fourth angle, directly behind the tiny man's head to show his perspective of her massive thighs and distant breasts as he shrinks further and further beneath her body. Text reads "Until his face disappeared beneath the warm, slightly sweaty fabric covering her vulva." Created by Giantess Tina.
4. A scene from Dear Professor, Part 1, created by GiantessTina (https://twitter.com/GiantessTina) and shared with her permission. Do not repost without permission.

 

Want to see her vision of this tiny character scaling a woman’s body to reach her massive clitoris? You can see that here.

I am grateful to her for creating artwork that makes my story come to life, and for granting permission for me to feature it on my website. Thank you, Tina!

I first met Tina during the exodus from Tumblr, when we worked on the SizeTwitter manifesto to help newcomers to the community get their bearings. She is kind, generous, and mysterious. If you explore her work, be aware that her tastes often run darker than mine. If you encounter her in the community, know that you are speaking with a true gem.

Published inArtwork

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